What is the Sony VPL-VW270ES?
The Sony VPL-VW270ES is the Japanese logo’s newest entry-level 4K projector. Nevertheless, this “entry-level” unit nonetheless prices a no longer insubstantial £4999. That’s a significant bite of cash whilst you believe the lately reviewed ViewSonic PX727-4K projector will set you again simply £999.
Its value will without a doubt put it past the achieve of informal projector lovers. But for extra severe house cinema lovers, its options and function prowess arguably make it seem a discount.
Sony VPL-VW270ES – Design and construct high quality
Sony has necessarily adopted the similar design rules for all of its “mainstream” 4K projectors up to now, so it’s no marvel to seek out that the VW270ES seems just like its predecessors.
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You get the similar gently arced peak and rounded higher edges, a centrally fixed reset lens, and the similar darkish, metal end. Overall it resembles Darth Vader’s helmet after a truck’s pushed over it. But in an effective way…
The simplest visible distinction between the Sony VPL-VW270ES and its VW260ES predecessor is that the brand new style stands a centimetre taller. Note that the VW270ES is to be had in black or Premium White.
While no longer as compact as the brand new breed of funds DLP 4K projectors, the VW270ES nonetheless suits with ease on a normal espresso desk. In reality, despite the fact that, a £5000 projector will get pleasure from an enduring set up – preferably in a devoted house cinema room.
Accompanying the VW270ES is a superb faraway keep watch over. Its strangely broad, elongated form supplies room for decent-sized, well-spaced buttons. These buttons are logically organised, too, and brightly backlit to aide use in a gloomy projection room.
Impressively for an entry-level projector, the faraway supplies keep watch over over the VW270ES’s motorised lens. In different phrases, you’ll be able to tweak its focal point, zoom and optical image-shifting homes on the press of a button.
Sony VPL-VW270ES – Features
The Sony VPL-VW270ES is odd within the reasonably priced projection global for offering a real 4K answer. Its SXRD chips ship a real 4096 x 2160 pixel depend of the type utilized in industrial 4K cinemas. There’s no wish to magic up a 4K impact the usage of pixel-shifting in the way in which of, say, funds DLP projectors. Or like JVC’s sub-£30,000 4K projectors have achieved (despite the fact that that’s about to switch with JVC’s upcoming N collection).
The VW270ES’s SXRD generation additionally rankings over single-chip DLP projectors through being resistant to the latter’s rainbow impact, which will motive distracting stripes of natural crimson, inexperienced and blue to seem over vibrant picture spaces.
Despite being Sony’s new entry-level 4K projector, the VW270ES claims a decent 1500 lumens of top brightness. Sony doesn’t quote a distinction ratio – although, in all probability tellingly, it does for its step-up VW570ES and VW870ES fashions.
The major variations between the VW270ES and step-up VW570ES are as follows. First, the less expensive style doesn’t have a dynamic iris machine to spice up distinction. Second, the VW570ES is brighter, boasting 1800 lumens of extreme brightness. Finally, the dearer style carries a Picture Position Memory to conform extra simply to other movie facet ratios.
The VW570ES prices £8000, alternatively. So it’s most definitely extra related to match the VW270ES with its predecessor, the VW260ES.
The most important VW270ES growth is the advent of video processing up to now simplest to be had on Sony’s higher-end fashions. MotionGo with the flow processing is now available to ship smoother movement playback in each HD and 4K motion pictures.
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Gamers, in the meantime, shall be prepared to listen to that the VW270ES now carries the Input Lag Reduction function up to now limited to mid-range and high-end Sony fashions. This delivers an enter lag size of round 30ms.
There’s additionally a brand new HDR Reference’ mode that says to ship footage nearer to the director’s purpose. This joins the superb HDR Contrast environment observed on Sony’s earlier 4K projector era, which helps you to choose from baseline brightness and spotlight detailing whilst gazing HDR resources.
Thankfully, the Sony VPL-VW270ES improves on its predecessor with 18Gbps compatibility over HDMI. This approach it may possibly reinforce 4K HDR at as much as 60 frames a 2d.
Finally, the VW270ES introduces ‘V-stretch for 4K’, making it suitable with anamorphic lens attachments.
These new methods sign up for outdated ones comparable to Triluminos color generation, which provides a much wider color differ. Note, despite the fact that, that Triluminos nonetheless can’t quilt just about as a lot of the color differ related to HDR content material as respectable 4K TVs. Just because the VW270ES’s brightness isn’t enough to render as a lot of HDR’s prolonged gentle differ as a just right HDR TV. After all, HDR used to be designed for TV presentations, no longer projectors.
Related: What is HDR?
That’s the place I’ll go away the TV comparisons, despite the fact that, because the projector and TV markets aren’t truly similar. I simply sought after to make it transparent that HDR on any projector will all the time be compromised to a point.
The VW270ES’s HDR reinforce covers the business usual HDR10 layout, and the broadcast-based HLG layout. There’s no signal of the Dolby Vision reinforce discovered on a lot of Sony’s TVs. But then nor does Dolby Vision seem on some other projector, both.
Related: Dolby Vision HDR – Everything you want to grasp
Sony VPL-VW270ES – Setup
The Sony VPL-VW270ES’s “physical” set-up aids are superb. The x2.06 optical zoom allows the projector to conform to an enormous differ of room sizes. You too can optically shift the picture horizontally or vertically over broad distances. This very much reduces the possibility of you having to ‘distort’ the image with keystone generation to stay its edges directly.
The zoom and shift changes, in conjunction with the focal point keep watch over, are operated by way of the faraway keep watch over. There’s no wish to get off the settee to make guide changes. The motorised changes paintings with spectacular precision, too.
Heading into the VW270ES’s menus, issues get slightly extra difficult – a minimum of on the subject of HDR viewing. Personally, I’d select the Cinema 1 preset with HDR set to Auto, and if I’m gazing an HDR movie mastered to 1000 nits or much less, I’d set the HDR Contrast to round 77. If I’m gazing an HDR movie mastered to 4000 nits, I’d set the HDR Contrast to round 87.
The latter environment does result in extra “clipping” (bleaching out of element and tonal subtleties) within the brightest portions of the image. But it additionally reduces element loss in darkish image spaces.
Turn off noise relief processing for 4K content material, and for films I’d recommend sticking to the True Cinema movement mode.
Sony VPL-VW270ES – Performance
The Sony VPL-VW270ES’s footage be offering a considerable growth over the ones of the fairly disappointing VW260ES. In truth, they’re remarkable for a £5000 projector.
The very first thing that hits you is the have an effect on of the projector’s authentic 4K answer. Good-quality 4K Blu-rays glance extremely sharp and detailed. So a lot in order that I used to be in a position to peer, as an example, main points of a mesh quilt over Sapper Morton’s door in Blade Runner 2049 that I’ve by no means observed prior to on a projector.
There’s a shocking consistency and balance to the VW270ES’s readability too. Single-chip 4K DLP projectors, through comparability, can glance slightly noisy from time to time. Also, with one or two exceptions, their sense of sharpness can ebb and drift. What’s extra, even at their highest, not one of the pixel-shift 4K answers glance as emphatically 4K because the VW270ES.
The remarkable 4K detailing stays intact, too, even all the way through motion scenes. This is due to the paintings of the superb MotionGo with the flow machine.
As properly as browsing crisper and sharper than its predecessor, particularly all the way through motion scenes, the VW270ES delivers higher distinction.
While its black ranges nearly without a doubt received’t rival the ones of the step-up VW570ES (due to the step up style’s dynamic iris), darkish scenes glance a lot much less greyed over and flat than they did at the VW260ES. This makes darkish scenes of the type that populate all of the highest motion pictures extra convincing and no more tiring to look at.
You can see extra shadow element in darkish spaces, too, and darkish colors glance richer and extra “neutral”. Best of all, having extra convincing browsing darkish scenes makes the enjoy of viewing a movie, because it skips between gentle and darkish scenes, really feel a lot more constant and, due to this fact, immersive.
It’s nice, too, so to experience general balance within the VW270ES’s gentle output. There’s not one of the leaping in brightness that may happen with projectors that use a dynamic iris. This does imply its footage most likely received’t fit the dynamism delivered through the VW570ES (which we’ll be reviewing quickly). But for some house cinema lovers, a minimum of, consistency is king.
The VW270ES’s enhanced distinction efficiency as opposed to the VW260ES is especially useful when gazing HDR resources. For starters, it approach there’s much less “flattening” greyness in play all the way through pictures containing a mixture of vibrant and darkish content material. You additionally get an enhanced sense of dynamic differ, as deeper blacks now sit down along the picture’s brightest issues.
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The HDR Contrast function allows you to very much cut back the silhouetting drawback repeatedly observed on HDR-capable projectors. This factor can in finding darkish items that seem in opposition to very vibrant HDR backdrops dropping element and lightweight.
To be transparent, silhouetting isn’t an issue you’ll be able to utterly remove. The VW270ES simply isn’t vibrant sufficient for that. It’s true, too, that the upper you push HDR Contrast, the extra you in fact cut back the picture’s differ of sunshine and the volume of element within the brightest portions of HDR footage. Especially with 4000-nit content material.
However, excessive dynamic differ playback on projectors is all the time an workout in compromise. So whilst it’s in all probability irritating that persistently getting the most productive HDR efficiency from the VW270ES takes slightly ongoing effort, Sony’s willingness to provide extra selection than some other projector logo over which compromises you select to make is in fact an important energy.
The VW270ES additionally handles color fantastically properly for an entry-level projector. Subtle tonal variations and blends are reproduced with beautiful finesse, bettering the sense of 4K element. Even tough pores and skin tones glance wholly free of plastickiness, striping, blocking off or false contouring. So lengthy as your supply is free of color compression artefacts, after all.
This aggregate of color subtlety with the local 4K answer creates an enormous sense of intensity in large-scale pictures, too. The scenes within the scrap district of Blade Runner 2049 on 4K Blu-ray, specifically, have by no means seemed so huge and compelling.
Provided you place the HDR mode to auto, the VW270ES supplies a refined enlargement in color saturation with none loss in color steadiness. This joins with the slight additional sense of dynamism to make HDR value pursuing at the VW270ES over SDR. This isn’t one thing I’d say about all supposedly HDR-capable projectors.
The ultimate in point of fact remarkable energy of the VW270ES’s footage is their whole freedom from noise. There’s not one of the fizzing, dotting noise that rival projectors ceaselessly undergo. Motion is free of blurring or false contouring. There’s no rainbow impact. Nor is there any haloing or stressing across the edges of sharply contrasting items.
The result’s that you’ll be able to forge a superbly direct reference to what you’re gazing. Which is, after all, the essence of top-quality house cinema projection.
The VW270ES isn’t only a beast with local 4K resources, alternatively. It additionally does a remarkably efficient process of upscaling HD to 4K by way of its new Reality Creation processing engine. Upscaled footage glance sharper and extra detailed than at the VW260ES, with no need supply noise exaggerated or colors distorted.
One ultimate component of the VW270ES’s efficiency to hide is its working noise. Using the Low lamp environment with usual dynamic differ content material, the cooling lovers are fantastically quiet. With the lamp set to High for HDR, alternatively, they change into a lot louder.
That stated, the sound is clean, constant and free of shrillness. So whilst it’s value seeking to stay the projector as a ways away out of your seating place as imaginable when gazing HDR, working noise without a doubt isn’t a deal-breaker.
Why purchase the Sony VPL-VW270ES?
If you wish to have to benefit from the beautiful readability and consistency that just a in point of fact local 4K show may give, the VW270ES must be excessive to your want record. Especially because it backs this up with a lot better distinction, upscaling and movement than its predecessor.
JVC could have some promising-looking local 4K projectors happening sale within the coming weeks. However, even the most affordable of those – the N5 –will set you again £6500.
You too can get some horny 4K (by way of pixel moving) DLP projectors for costs as little as £1000. These don’t glance as pin-sharp because the Sony, alternatively (which issues on truly giant displays). Plus, they’re way more liable to more than a few forms of video noise.
The VW270ES produces a miles punchier, extra convincing image than its predecessor – and presentations extra consumer-friendly commonplace sense with HDR than projectors costing 1000’s of kilos extra.